F words.in the hitmans bodyguard
Reynolds is in the same joshing form as in last year’s Deadpool. Jackson, who behave as if they’re making a tongue in cheek comedy and always seem to be tipping us the wink that they know the premise here is utterly ridiculous.ĭirector Patrick Hughes clearly feels the same way, filling the film with bluesy rock music and love songs that both undercut any potential dramatic tension and distract us from noticing the holes in the screenplay. What redeems it partially is the comic interplay between the two stars, Ryan Reynolds and Samuel L. It is so crude in its plotting that it makes earlier efforts by some of the same producers like The Expendables and London Has Fallen look sophisticated by comparison.
#F words.in the hitmans bodyguard movie#
The Hitman’s Bodyguard is an infantile and very violent buddy movie that rehashes ideas and serves up characters encountered in countless other action flicks. As a result, the film risks seeming as undernourished as Giacometti’s own spindly, sculpted figurines. There are no new love affairs, no murders, no conspiracy. We learn even less about Lord than we do about Giacometti. The artist has the occasional temper tantrum and Lord worries that he will never get home. There’s a jaunt around Paris in a sports car very badly driven by Caroline, and one or two walks in the cemetery. Lord sits, Giacometti paints…and that’s about it. What the film lacks is any sense of drama.
“The man’s a thief,” Giacometti complains.Īs a chamber piece about Giacometti in the act of creation, Final Portrait is intriguing enough.The paradox here is that the artist is only happy when he is working but is never happy with his work. There are fleeting references to other artists, Picasso among them. We catch occasional glimpses of characters close to Giacometti, his brother and his dealer among them. The sittings, which he said would last for a day or two, are extended and Lord has to keep on re-arranging his flight to America. “Oh, fuck!” Giacometti groans again and again throughout the film as he realises the work is not living up to his expectations.